How Do They Get the Pits Out of Olives, and Why Do They Sometimes Miss One?

By Jack Mercer – Rabbit Hole Fisherman

Pitted olives are produced by machines capable of processing thousands of olives a minute. They are remarkably good at it, but not perfect, which explains why the occasional stone survives and why “pitted” should never be taken to mean “guaranteed stone-free”.

In This Story

There is a particular sound that anyone who regularly eats pitted olives never wants to hear.

Crunch.

You have bought a tub of pitted Kalamata olives from the supermarket. You eat one, then another, then perhaps another dozen, and every one of them is exactly as promised: no stones.

That is precisely why the next one can cause trouble. After enough perfectly pitted olives, you stop treating them as fruit that once contained a hard stone and start treating them as something that doesn’t. You bite down normally — until, one day, you find the exception.

The first thought is usually not about olive-processing technology. It is more likely to be: Was that the stone or was that my tooth?

It’s easy at that point to be furious with the manufacturer or supermarket. You bought pitted olives, so surely finding a pit inside one means somebody has made a serious mistake.

The answer isn’t quite that simple.

Take a close look at the packaging and you may find a warning that seems almost absurd:

May contain pits or pit fragments.

Coles is particularly direct about it. Its pitted Kalamata olives are described as mechanically pitted, followed by a warning that an occasional pit or pit fragment may remain and that consumers should take care to avoid dental injury.

It raises an obvious question: how can we build machinery capable of removing stones from olives at industrial scale, yet still end up with the occasional one in the packet?

The answer begins with the olive itself.

Take a look at the next pitted olive you eat

Before putting it in your mouth, turn it over. A pitted olive carries the evidence of what has happened to it, with an opening where machinery has passed through the fruit and removed the hard stone that once occupied its centre.

It’s easy to imagine some fantastically sophisticated process going on inside an olive factory, but the basic idea is quite mechanical. The difficult part is doing it very, very quickly.

An olive is a drupe, the same broad type of fruit as a cherry or plum, with soft flesh on the outside and a hard stone within it.

The International Olive Council identifies the relationship between the two as one of the important characteristics of a table olive. A flesh-to-stone ratio of 5:1 is considered acceptable, and the stone should ideally separate readily from the flesh. Size, shape, skin and stage of ripeness also vary between olives and varieties.

In other words, an olive-processing machine isn’t handling ball bearings. It’s handling fruit.

Inside the pitting machine

A 2025 engineering study from the University of Seville gives us a remarkably detailed look at how commercial olive-pitting machinery works.

The olives first enter a feeder, where they are separated and carried individually in compartments towards the pitting mechanism. At the critical moment, the fruit meets a stone-detaching mechanism fitted with awls. Through a combination of rotary and linear movement, the machine pierces the olive and separates the stone from the flesh.

Then it has to do exactly the same thing to the next olive, and the one after that.

Modern machines described by the researchers can process 2,500 to 3,000 olives every minute, depending on the variety. At the upper end, that’s 50 olives every second.

Think about what the machine is being asked to do in that fraction of a second. Each olive has to arrive correctly, sit correctly in the carrier and meet the pitting mechanism in the right orientation. The stone has to come away from the flesh, the olive has to survive the process in saleable condition, and everything has to be ready for another piece of fruit about one-fiftieth of a second later.

It works most of the time, but occasionally an olive doesn’t cooperate.

The olive that gets through

This is where the explanation for that unexpected crunch becomes clearer.

Engineers who study these machines have identified several things that can go wrong. Two olives can enter together, fruit can break during feeding or a blockage can leave a carrier empty. More importantly for anyone eating the finished product, an olive can enter the pitting mechanism incorrectly oriented.

Researchers call one particular form of this the “boat error”. Instead of meeting the pitting mechanism in the intended orientation, the olive is pierced off-axis. The result can be damaged flesh, a stone that isn’t properly removed, or fragments of the stone left embedded in the olive.

Seen in that context, the supermarket warning doesn’t seem quite so strange. A machine may do its job successfully thousands of times while somewhere in that stream of irregular pieces of fruit, one olive behaves differently.

The next challenge is catching it before it reaches the consumer.

Finding the mistakes is an engineering problem of its own

Olive processors have quality-control methods specifically aimed at finding pitting failures. One traditional method described in the engineering research sounds wonderfully simple: flotation tanks can be used as part of destructive sampling to identify pitting defects.

The limitation is that sampling is not the same thing as examining every olive, which is one reason researchers are now experimenting with computer vision.

Cameras can watch olives as they travel through the machinery while software analyses their size and orientation. In the 2025 University of Seville study, 97 per cent of the Gordal olives analysed were correctly aligned before pitting, while 1.1 per cent showed critical misorientation.

Those figures need some context. The study involved Gordal olives rather than Kalamata olives, so they should not be applied to every olive-processing line. What they demonstrate is the problem engineers are trying to solve.

A companion 2025 study goes further, examining how machine vision might help identify the off-axis orientation that can lead to pulp damage and stone splinters.

Nor should a processing defect rate be confused with the number of stones consumers actually find in supermarket olives. There are quality-control processes between pitting and the finished product, and the research does not establish that one olive in every hundred bought at a supermarket will contain a stone.

If anything, everyday experience suggests how effective the entire process usually is. You can eat pitted olives for weeks or months without encountering a whole stone, which is also why the one that slips through can catch you completely unprepared.

The stone isn’t the only thing being removed

There is another part of the olive’s journey that is easy to overlook: you couldn’t simply pick most olives from a tree and serve them in a bowl.

Fresh olives contain oleuropein, which contributes much of their intense bitterness. Before they become the olives we recognise as food, that bitterness has to be reduced through processing.

Depending on the style, this can involve brining, repeated washing, fermentation or alkaline treatment. The methods vary enormously between countries, traditions and types of olive. Kalamata olives are commonly prepared as naturally ripened black olives and are often processed in brine.

By the time we encounter an olive in the supermarket, the agricultural product has already been through a surprisingly long transformation. Perhaps that is also why the word pitted carries more certainty in our minds than it should.

We tend to see it as a description of what the olive is. From a processing point of view, it makes more sense to think of it as a description of what has been done to the olive: it has been mechanically pitted.

The process is astonishingly fast and remarkably reliable, but it is not infallible.

So should we actually be careful eating pitted olives?

Yes — although there is no reason to be frightened of them or suspicious of every olive in the bowl. It simply makes sense to remain aware that a stone is possible.

This isn’t advice dreamt up by nervous lawyers. Australian supermarket packaging explicitly acknowledges the possibility. Coles warns that mechanically pitted olives may contain an occasional pit or fragments and specifically mentions the risk of dental injury.

Once you’ve seen how the machinery works, that warning makes much more sense. The extraordinary thing isn’t really that a stone occasionally survives; it’s that a machine can take a soft, irregular piece of fruit, remove a hard object buried inside it, leave the surrounding flesh largely intact and repeat the operation as many as 3,000 times in a minute, hour after hour.

Almost every olive we eat gives us good reason to trust that process.

Then comes the rogue one.

Crunch.

And suddenly you remember what used to be inside it.

Macca on Sundays: 12 Remarkable Conversations This September 2026

From a romance that began in a European shearing shed to dawn prayers at Woolgoolga and a Father’s Day invitation in a Queensland cane paddock, September offered Ian ‘Macca’ McNamara another wonderfully unpredictable collection of Australian stories.

You never quite know where Australia All Over will take you. One minute Macca is hearing about a Dutch backpacker who ended up marrying an Australian shearer; the next, he’s talking to a barrel racer at a service station in Hay, learning about masala dosas or discovering why a group of women from Echuca–Moama have spent 16 years taking walking holidays without their husbands.

September’s broadcasts found Macca travelling through South Australia’s Riverland and meeting people whose stories reached well beyond the Murray. There were conversations about the changing fortunes of farming, the experiences of seasonal workers, the pleasure of travelling without a timetable and the friendships that can grow from something as simple as a Saturday morning walk.

Some exchanges were funny, others thoughtful, and a few managed to be both.

A Shearing-Shed Romance That Crossed Continents

Rob had spent years shearing sheep around Australia before a family connection took him to Holland, where a farmer had 2,000 sheep waiting to be shorn. That opportunity led to a decade of work across Europe, including Austria, which Rob remembered particularly fondly after the heat and isolation of some Australian shearing districts.

“Especially when you’ve been shearing in Wilcannia or something like that for six months, and then you end up flying to Austria and start shearing in Austria,” he told Macca.

His most enduring memory of Europe, however, had less to do with sheep than with a Dutch backpacker named Anjo, who happened to be working on a farm when one of Rob’s employees became ill. She offered to help in the shearing shed for a couple of weeks and enjoyed herself so much that she refused payment, explaining that she was on holiday and having a wonderful time.

“And you know what he said? If you work for nothing, I’ll marry you.”

It was an unconventional proposal, although it evidently worked. The couple had been together for about 30 years when Macca met them, and Anjo spoke warmly about the years they had spent travelling between shearing sheds and meeting people from all walks of life.

Rob recalled the old sheds along the Murray and Darling rivers, particularly those built when riverboats still played an important role in moving wool. These days, the couple are semi-retired and have bought a houseboat near Loxton, bringing them back to the waterways that had featured so prominently in Rob’s earlier working life.

For Anjo, the travelling and the hard work were inseparable from the pleasure of it all. “It’s not just a job, it’s a lifestyle,” she said. “You love it or you hate it, and we both loved it.”

Candy’s Life in the Fast Lane — on Horseback

At a service station in Hay, Macca encountered Candy, who was travelling from Lewiston in South Australia to Tamworth with two young quarter horses in her float. She was heading to the Australian Barrel Horse Association National Finals, where riders compete to negotiate three barrels as quickly as possible without knocking them over.

Candy had been riding since childhood, starting at pony club before progressing through eventing and showjumping. She took up barrel racing in 2005 and, by the time of her conversation with Macca, had around 18 horses at home and a competition schedule that took her across much of eastern and southern Australia.

“Be the fastest person around three barrels,” she explained when Macca asked what the event involved. “It seems not difficult, but it’s extremely difficult.”

She told him she was then the highest money earner on the Australian Professional Rodeo Association’s barrel-racing circuit, and that she had won the Hay Rodeo earlier in the year. Those were Candy’s accounts of her achievements rather than independently confirmed rankings, but her experience of the sport was unmistakable.

The financial rewards were another matter. Asked whether there was much money in barrel racing, Candy replied, “In Australia, no. In America, yes.” She estimated that establishing a serious competitive operation in the United States could require an investment approaching a million dollars, particularly once horses, travel and other expenses were considered.

Her Australian circuit already involved considerable travelling, with southern competitions generally occupying the warmer months and Queensland events drawing riders north during winter. On this occasion, there were two horses to transport, another long stretch of highway ahead and a national competition waiting in Tamworth.

Dawn Prayers, Masala Dosas and a Welcome for Everyone

John was sitting on the headland at Woolgoolga, watching the waves roll in, when he rang Macca in Renmark. He had just attended prayers at the local Sikh temple, where a small group gathered between 4.30 and 5.30 in the morning to sing and chant.

There was something special, he explained, about entering the temple in darkness and emerging after sunrise. He described the experience simply as “magical”.

John’s family history in the region stretched back generations. According to his account, his grandfather had arrived in the Grafton district in 1885, and he had grown up around Coffs Harbour with strong connections to Woolgoolga’s Sikh community.

The town was preparing for its annual Curryfest, with the 2026 celebration marking the festival’s 20th anniversary. John spoke proudly about the event and the opportunity it provided for people from different backgrounds to meet, share food and learn something about one another.

Macca was particularly interested in the food, especially when John mentioned masala dosas. He explained that a dosa could be served plain or filled with spiced potatoes, often accompanied by coconut chutney, and encouraged Macca to try one rather than sticking to his familiar meat-and-two-vegetables diet.

Their discussion eventually moved into religion and cultural identity. Drawing on his own understanding of Sikhism, John emphasised the importance of treating people as individuals and welcoming visitors regardless of their background or beliefs.

He spoke about the meals provided at the temple and the way sharing food could bring strangers together. The same principle guided his approach to the curry stall, where he enjoyed talking with customers rather than simply handing over their meals.

“The more you engage with the people, there’s a beautiful energy happening,” he told Macca.

The invitation to visit the temple was warmly extended, although Macca seemed less enthusiastic about getting out of bed before dawn. Fortunately, John explained, afternoon prayers were another possibility, and there would still be food and chai afterwards.

Two Triumphs, One Marriage and the Freedom of the Road

Leah and Craig were travelling through Hay on separate Triumph motorcycles, with Leah riding Craig’s former Thunderbird and Craig aboard a 1700 Night Storm. They were heading towards Dubbo, hoping to take in the Bathurst circuit along the way, although the precise itinerary was still open to negotiation.

“We never plan, we just jump on the bike and go,” Leah explained.

The trip was also a birthday celebration, as Leah had turned 61 the previous day. She worked as a nurse and estimated that she rode between 9,000 and 10,000 kilometres annually, sometimes using her Fridays off to explore the Riverland.

Craig had recently retired from operating tractors on a large citrus property, although he still had a small vineyard to keep him occupied. He enjoyed the freedom of the road and the chance to travel without having to think too much about anything else.

“Just getting out there, mate. Looking around, nothing to worry about,” was how he described it.

Their motorcycling had also taken them to Alice Springs as part of Black Dog Ride, an initiative associated with mental health awareness and suicide prevention. Leah spoke about the fundraising they had undertaken through their involvement, while making it clear that the trips themselves were something they both enjoyed.

Macca asked Leah what she liked about travelling with her husband, prompting one of the more memorable answers of the month. “I don’t have to talk to him. But I do love him.”

With separate motorcycles, plenty of open road and no rigid schedule, the arrangement seemed to suit them both.

The Fijian Workers Behind Australia’s Fruit Harvest

Among the people Macca met in Renmark were three men from Fiji who had been working in the district’s citrus orchards. Tona, Manik and Jerry were part of a group of 15 seasonal workers whose Australian employment took them between different fruit-growing regions as crops came into season.

They had spent three months picking oranges and were preparing to travel to Grafton for blueberry harvesting, with Tasmania expected to follow for more work involving berries. The men described a nine-month stay in Australia before returning to Fiji, where Tona also farmed crops including cassava.

Macca was interested in the practical side of their work, particularly the large collecting bags used during orange picking. The men confirmed that the bags could become very heavy, making the job physically demanding over a full working day.

They nevertheless spoke positively about their earnings and the people they had encountered during their time in Australia. Their comments reflected their own experiences, without necessarily describing the conditions faced by other seasonal workers.

“Good money, good people. Nice to meet the Australian people. Thank you so much,” one of the men told Macca.

He thanked them for their contribution to Australia’s fruit harvest and reminded them that relatives back in Fiji might be able to hear the broadcast. For workers spending much of the year away from home, that possibility added a personal dimension to an otherwise ordinary morning beside the Murray.

Forty Wet Seasons in Kakadu and a Riverland Boy Who Went North

Andy Ralph had grown up around Monash in South Australia’s Riverland, where his family history was closely connected to the development of irrigation farming. According to Andy, his grandfather had been allocated a block after returning from service in France during the First World War.

Andy eventually found his way into radio at Berri before deciding to move north, a decision that had kept him in the Northern Territory for about four decades.

He was now living in Kakadu and working in Arnhem Land, close enough to the northern coastline to joke that going any further would put him in the Arafura Sea.

With temperatures reaching around 38 degrees, the region was beginning its transition towards the wet season. Andy explained that the seasonal changes in Kakadu were more complex than a simple division between wet and dry, something reflected in the traditional seasonal knowledge of the region’s Aboriginal peoples.

After approximately 40 wet seasons, he had seen how much the timing and intensity of rainfall could vary. The previous year had brought a late wet and significant flooding, while his hope for the approaching season was for early showers, a good monsoon around Christmas and a reasonably settled finish in March or April.

Despite spending so long in the Top End, Andy retained an affectionate interest in the Riverland, including the fate of Renmark’s Big Orange.

He recalled once suggesting on radio that somebody should sneak out at midnight, paint the landmark yellow and rename it the Big Lemon, an idea that probably said as much about his sense of humour as his views on roadside attractions.

Macca hoped to visit the Northern Territory again, giving the two men another chance to catch up after years spent at opposite ends of the country.

Evie and Isla Give City Children a Taste of Farm Life

At the Royal Adelaide Show, Year 11 students Evie and Isla were helping introduce visiting children to farm animals at the Learning Centre, where the motto was “Look, Touch and Listen”.

Both attended Urrbrae Agricultural High School, which gave them opportunities to learn about agriculture, animal care and the environment alongside their regular studies.

For children growing up in metropolitan Adelaide, the show offered a chance to see animals close up and ask questions that might never arise during an ordinary school day. Evie and Isla enjoyed helping younger visitors make those discoveries, and their enthusiasm was evident when Macca asked about their plans after graduation.

Isla hoped to study veterinary science and was interested in the university pathways available through agricultural education. Evie was drawn towards environmental science and conservation, particularly work involving animals and the natural environment.

Macca remembered being interested in agriculture himself when he was younger, and he spoke about the importance of encouraging students to consider careers connected with food production, animal health and environmental management.

The conversation also included a mention of a grandmother named Rosalind, who was a regular listener to Australia All Over. It was a small personal detail amid the bustle of the Royal Adelaide Show, but one that connected the girls’ enthusiasm for agriculture with the familiar pleasure of hearing someone you know on the radio.

A Century-Old Bridge and Bob’s Pistachio Surprise

Wayne and Bob were neighbours in the Renmark district, although their interests led Macca from local railway history to the economics of growing pistachios.

Wayne was chairman of the Renmark Paringa Community Museum, which was preparing for the centenary of the Paringa Bridge. Opened on 31 January 1927, the bridge is distinguished by its vertical lifting span, designed to accommodate river traffic.

The museum was also restoring a railway carriage dating from 1938, part of an effort to preserve the district’s transport history. Wayne recalled how the railway had once provided an important connection for local producers and residents, before changes in road transport gradually altered the way people and goods moved through the Riverland.

Bob, meanwhile, had been growing pistachios since 1983, when the crop was still relatively unusual in the area. He explained that pistachio trees required patience, with growers often waiting around six years before obtaining a meaningful harvest.

The methods had changed considerably during his time in the industry, particularly as mechanical harvesting replaced much of the work once done by hand.

Bob believed pistachios were performing comparatively well at a time when some other crops, including wine grapes, were facing difficult market conditions. He was nevertheless cautious about the possibility of too many growers entering the industry and creating an oversupply.

Macca also wanted to know whether pistachios were good for you, prompting Bob to offer a rather unexpected answer. “Aphrodisiacs,” he declared.

Macca made him repeat the word, and the conversation briefly wandered away from agricultural economics before returning to the more practical concerns of growing and selling nuts.

Six Generations of Fruit Growing, and a Business That Had to Change

Michael Roy’s family had been involved in South Australian agriculture for six generations, with a history he traced back to nineteenth-century European migration and the establishment of farming communities in the colony.

Over time, the family had worked with livestock, cereals and horticulture, eventually concentrating on fruit production around Renmark.

Michael’s present operation grew crops including apricots, pears, plums, nectarines and peaches, but he explained that producing good fruit was only part of what was required to keep a farming business viable.

About 25 years earlier, someone had advised him to stop thinking solely as a grower. Michael gradually came to see the importance of controlling more of what happened to his produce after it left the orchard.

He told Macca that his business now handled production, processing, packaging, marketing and freight, allowing him to take a more direct role in selling the fruit rather than relying entirely on intermediaries.

The operation employed a permanent workforce, supplemented by seasonal workers during the harvest. Michael recalled one employee who had been associated with the business for 65 years, a remarkable period of service in an industry where physical work could be particularly demanding.

During the hottest parts of a Riverland summer, he explained, fruit picking often had to finish around lunchtime.

Michael also spoke about the commercial pressure he believed growers faced to harvest fruit before it had fully matured. In his experience, allowing fruit to ripen longer could improve flavour, particularly when it was destined for drying rather than immediate sale.

He made additional claims about the nutritional benefits of dried fruit, although those would require separate scientific evidence before being treated as established health advice. His broader point concerned the relationship between ripeness, flavour and the commercial decisions growers had to make.

Macca was interested in the quality of local apricots, and Michael had brought along some jam for him to try. An invitation to visit the farm followed, although Macca was quick to establish one condition. “I’m not going picking, man.”

Sixteen Years of Walking, Talking and Leaving the Husbands at Home

The women Macca encountered in Renmark had been taking walking holidays together for around 16 years, beginning when several members of the group were approaching their 50th birthdays.

Many had worked in agriculture or related industries around Echuca and Moama, and they decided they needed more opportunities to enjoy themselves away from their everyday responsibilities.

Walking became the common activity, but the friendships soon developed a life of their own. Over the years, the group travelled across Australia and ventured overseas to New Zealand and Vietnam, finding new places to explore and plenty of time to talk along the way.

Macca initially assumed they were runners, having recently spoken to someone involved in parkrun.

“We’re not runners, Macca. We’re walkers,” Sue corrected him, while another member added that they were walkers and talkers.

Joanna was more interested in explaining what the group had come to mean to its members. “Friendship, love, support, women looking after each other.”

They had helped one another through difficult stretches of terrain and supported each other through personal challenges, with the annual trips providing a regular opportunity to reconnect.

Macca wondered whether men were ever invited to join, but the women were quite content to travel without their husbands. The men apparently had their own tradition of gathering for a deserted husbands’ dinner while their wives were away.

The walkers insisted that nobody in their group was ever left behind, which gave Macca an opening to ask whether the husbands might disagree. The women seemed perfectly happy to leave that question unanswered.

Susie and the Saturday Morning Ritual Beside the Murray

Renmark’s Saturday morning parkrun had become a regular gathering for locals and visitors by the time Macca met Susie, who had been involved with the event for around a decade.

She told him the local course had reached its 463rd event and generally attracted between 50 and 70 participants, although holiday periods could bring considerably larger numbers.

The five-kilometre route followed the riverfront, and Susie particularly enjoyed hearing visitors comment on the scenery.

Macca was less enthusiastic about the running itself, joking that someone ought to find the man responsible for inventing parkrun and sue him.

Susie explained that running was entirely optional. “You don’t have to run. You can walk.”

That accessibility was part of what she valued about the event. Some participants arrived intending only to walk, then gradually began jogging and eventually found themselves trying to improve their personal best times. Others were content to enjoy the company, exercise and familiar Saturday morning routine.

Susie had watched her own children grow up around parkrun, progressing from youngsters attending with the family to runners in their own right.

She volunteered as a run director every few weeks and participated herself on other Saturdays, making the event both a community commitment and something she continued to enjoy personally.

On the morning Macca visited, she estimated that roughly half the participants were visitors, an indication of how the Renmark course had become part of the wider parkrun network.

For Susie, the riverfront setting was a source of pride, and the regular gathering gave her another reason to appreciate the town she called home.

Pino’s Father’s Day Invitation — Breakfast in a Cane Paddock

Pino had an invitation for Macca that involved a sugarcane paddock near Ingham, a harvesting crew and a breakfast tradition his family had maintained for years.

Every Father’s Day, his wife brought food out to the workers, who stopped harvesting for about half an hour before returning to their machines. Pino thought it would make an ideal setting for an Australia All Over broadcast and invited Macca to join them the following year.

The only complication was the working day, which began at three in the morning.

“If you want to start at the same time as we do, at 3 am, well, you can be here at 3 am,” Pino offered, adding that Macca would be welcome to climb aboard the harvester and travel through the cane with him.

Their discussion moved into the progress of the North Queensland sugar season. Pino estimated that harvesting was around 58 or 59 per cent complete, with the crop broadly comparable to the previous year, although he remained concerned about rain interrupting the remaining work.

Macca was interested in the ownership of Queensland’s sugar mills, and Pino spoke about several of the major companies operating in the industry. He also expressed disappointment about the closure of the Mossman mill, reflecting on the changes affecting communities where sugarcane had been an important part of local life for generations.

He hoped the industry would remain viable and continue providing work in North Queensland, although he made no attempt to predict what the future would bring.

The conversation eventually returned to breakfast, with Macca suggesting that perhaps they could arrange a visit without waiting until Father’s Day.

Pino was happy to consider it, but there was an obvious advantage to coming on the traditional date: that was when his wife would be bringing the food.

Whether Macca ever found himself broadcasting from an Ingham cane paddock at three in the morning remained to be seen, but the invitation was genuine, and the prospect of breakfast among the harvesters was clearly appealing.

Listen to the podcast episode here.

Disclaimer: ‘Australia All Over’ is a program produced and broadcast by the ABC Local Radio Network and hosted by Ian McNamara. Brisbane Suburbs Online News has no affiliation with Ian McNamara, the ABC, or the ‘Australia All Over’ program. This weekly review is an independent summary based on publicly available episodes. All original content and recordings remain the property of the ABC. Our summaries are written in our own words and are intended for commentary and review purposes only. Readers can listen to the full episodes via the official ABC platforms.

Dark Matter: Season 2, The Whisper Man and More New Streaming Arrivals in Moreton Bay: 27 August – 2 September 2026

The week brings a varied selection of new Australian streaming arrivals, led by the return of the science-fiction thriller Dark Matter and the new psychological thriller The Whisper Man. The lineup also includes returning dramas, comedy, crime and mystery series, along with films such as The Garfield Movie and Mousetrap across Paramount+, BINGE, Stan, Disney+, Apple TV+ and Prime Video.

Dalliance: Season 1

27 August 2026 | Paramount+

This new series centres on a complicated relationship and the consequences that follow as its characters navigate desire, secrecy and personal choices.

Possession: Season 1

27 August 2026 | BINGE

A new psychological thriller exploring the unsettling consequences of obsession and possession, with a story that gradually draws its characters into increasingly disturbing circumstances.

The Undeclared War: Season 2

27 August 2026 | Stan

The British cyber-thriller returns for a second season, continuing its exploration of cyber warfare, national security and the threats posed by attacks in the digital realm.

Adults: Season 2

28 August 2026 | Disney+

The comedy series returns for another season following a group of young friends as they navigate relationships, work, independence and the uncertainties of adult life.

Dark Matter: Season 2

28 August 2026 | Apple TV+

Joel Edgerton returns as Jason Dessen in the science-fiction thriller based on Blake Crouch’s bestselling novel, continuing the story across parallel realities and the consequences of choices made between them.

The Whisper Man

28 August 2026 | Netflix

This psychological thriller follows a father whose search for his missing son becomes connected to a notorious serial killer and a case that reaches deep into his family’s past.

All the Truth in My Lies

28 August 2026 | Netflix

A mystery drama built around secrets and deception, as hidden truths begin to complicate relationships and challenge what the characters believe about one another.

Mousetrap

28 August 2026 | Netflix

A mystery thriller that places its characters in a dangerous situation where suspicion grows and the truth becomes increasingly difficult to uncover.

The Garfield Movie

28 August 2026 | Netflix

The animated comedy follows the famously food-loving cat Garfield as an unexpected reunion with his father, Vic, sends him and Odie on an adventure beyond their usual home comforts.

Four Hands, Two Sonatas

29 August 2026 | Netflix

This intimate musical drama centres on two pianists whose lives and relationship become intertwined through their shared passion for music.

The Runner

2 September 2026 | Prime Video

A new thriller following a dangerous race against time, as its central character becomes caught in circumstances that demand both determination and quick thinking.

This week’s arrivals cover a broad range of genres, from science fiction and psychological thrillers to comedy, mystery and animation. With new titles landing across major Australian streaming platforms, Moreton Bay viewers have plenty of fresh options to explore from late August into the first days of September.

The Dog Stars Leads Moreton Bay’s New Cinema Releases: 27 August – 2 September 2026

Moreton Bay cinemas welcome a broad selection of new releases this week, led by sci-fi thriller The Dog Stars, alongside the documentary Unravel Me: Tina Arena and family drama & Sons. Anniversary screenings, concert films and a range of recent releases add further variety across cinemas from North Lakes and Strathpine to Redcliffe, Morayfield and Bongaree.

NEW RELEASES

The Dog Stars

27 August 2026 | Bribie Cinema (Bongaree), Event Cinemas (North Lakes), HOYTS (Redcliffe), Limelight Cinemas (Morayfield), BCC Cinemas (Strathpine)

Set in a post-pandemic America, this science-fiction thriller follows a pilot and scientist surviving in a remote Colorado wilderness while confronting threats from both nature and other survivors.

Unravel Me: Tina Arena

27 August 2026 | Event Cinemas (North Lakes), HOYTS (Redcliffe), BCC Cinemas (Strathpine)

This documentary explores the life and career of Australian singer Tina Arena, bringing her personal story and decades of musical achievements to the big screen.

& Sons

27 August 2026 | Bribie Cinema (Bongaree), Event Cinemas (North Lakes), HOYTS (Redcliffe), BCC Cinemas (Strathpine)

This family drama examines relationships between fathers and sons as long-held tensions and personal ambitions come to the surface.

The Fast and the Furious – 25th Anniversary Screening

28 August 2026 | HOYTS (Redcliffe), Limelight Cinemas (Morayfield)

The 2001 action classic returns for a special 25th anniversary screening, revisiting the street-racing rivalry that launched the long-running franchise.

Harry Potter and the Philosopher’s Stone – 25th Anniversary Screening

29 August 2026 | HOYTS (Redcliffe), Limelight Cinemas (Morayfield)

The first Harry Potter adventure returns to the big screen for its 25th anniversary, bringing audiences back to Harry’s first year at Hogwarts.

André Rieu’s 2026 Summer Concert: Viva Maastricht!

2 September 2026 | Bribie Cinema (Bongaree), Event Cinemas (North Lakes), HOYTS (Redcliffe), Limelight Cinemas (Morayfield), BCC Cinemas (Strathpine)

André Rieu returns to cinemas with a concert celebration filmed in his hometown of Maastricht, featuring orchestral performances and the festive atmosphere of his annual summer concerts.

STILL SHOWING

Insidious: Out of the Further

Event Cinemas (North Lakes), HOYTS (Redcliffe), Limelight Cinemas (Morayfield), BCC Cinemas (Strathpine)

The supernatural horror continues its regional run with another chapter set within the terrifying world of the Further.

Mutiny

Bribie Cinema (Bongaree), Event Cinemas (North Lakes), HOYTS (Redcliffe), Limelight Cinemas (Morayfield), BCC Cinemas (Strathpine)

The tense thriller remains on screens, exploring conflict, shifting loyalties and the consequences of dangerous choices.

Tony

HOYTS (Redcliffe)

This drama remains on selected screens, offering a character-driven story among the week’s continuing releases.

Holy Days

Bribie Cinema (Bongaree), HOYTS (Redcliffe), BCC Cinemas (Strathpine)

A reflective story centred on faith, community and personal journeys continues its regional cinema run.

One Night Only

HOYTS (Redcliffe), Limelight Cinemas (Morayfield)

The romantic comedy continues screening at selected Moreton Bay cinemas, providing a lighter option among the week’s current films.

Spa Weekend

Bribie Cinema (Bongaree), Event Cinemas (North Lakes), HOYTS (Redcliffe), Limelight Cinemas (Morayfield), BCC Cinemas (Strathpine)

The ensemble comedy continues with a group of longtime friends attempting to escape everyday pressures during a relaxing getaway.

Spider-Man: Brand New Day

Event Cinemas (North Lakes), HOYTS (Redcliffe), Limelight Cinemas (Morayfield), BCC Cinemas (Strathpine)

The superhero adventure remains widely available across Moreton Bay, continuing its action-driven story on local screens.

The End of Oak Street

Bribie Cinema (Bongaree), Event Cinemas (North Lakes), HOYTS (Redcliffe), Limelight Cinemas (Morayfield), BCC Cinemas (Strathpine)

The science-fiction story continues as a family faces an unfamiliar and unsettling reality after a mysterious event transforms their world.

The Odyssey

Event Cinemas (North Lakes), HOYTS (Redcliffe), Limelight Cinemas (Morayfield), BCC Cinemas (Strathpine)

The epic adaptation remains part of the region’s cinema program, continuing its large-scale interpretation of a legendary journey.

Moreton Bay’s cinema program for 27 August – 2 September combines new science fiction, documentary and drama with anniversary screenings and a major concert experience. From North Lakes and Strathpine to Redcliffe, Morayfield and Bongaree, audiences have a varied selection of films across the region.

2026 Bare Feet Drama, 15 Artists and Art, Music and Cultural Events in Moreton Bay: 28 – 30 August 2026

Art lovers can explore exhibitions, live music, theatre, photography, creative programs and cultural events this weekend. The program includes new exhibitions, artist showcases, live orchestral music, photography and opportunities to discover contemporary and emerging creative work.

The Comedy Wildlife Photography Awards

30 May – 18 October 2026 | Redcliffe Museum, Redcliffe
Find out more

The Comedy Wildlife Photography Awards showcases humorous wildlife photographs capturing unexpected and entertaining moments from the natural world. The exhibition features selected photographs from the international competition.

Creative Space by Yin Lu

27 June – 12 September 2026 | Caboolture Regional Art Gallery, Caboolture
Find out more

Creative Space by Yin Lu invites visitors to explore personal connections and stories through visual art. The exhibition includes interactive creative spaces designed to encourage participation and reflection.

House of Gold

27 June – 12 September 2026 | Caboolture Regional Art Gallery, Caboolture
Find out more

House of Gold by Dr Christian Thompson AO explores shared histories, cultural connections, migration and identity. The exhibition brings together ideas around language, food and the experiences connected to the gold rush.

Singing for Wellbeing Project

12 July – 26 September 2026 | Morayfield Community Hall, Morayfield
Find out more

The Singing for Wellbeing Project brings people together through group singing in a community setting. The program focuses on participation, connection and the positive experience of making music together.

Blak Creatives Exchange

18 July – 14 November 2026 | Redcliffe Art Gallery, Redcliffe
Find out more

Blak Creatives Exchange supports First Nations creatives through the process of developing an exhibition from concept through to completion. The program provides an opportunity for emerging artists to develop their creative practice.

Joy: A Solo Exhibition by Glenda Charles

1 – 31 August 2026 | Obsidian Bide: Art Gallery and Studio, Bongaree
Find out more

Joy presents a solo exhibition by Glenda Charles at Obsidian Bide: Art Gallery and Studio in Bongaree.

Kau-in Kau-in Blood Blood

1 August – 24 October 2026 | Pine Rivers Art Gallery, Strathpine
Find out more

Kau-in Kau-in Blood Blood presents contemporary artistic work exploring connections between culture, place and identity at Pine Rivers Art Gallery.

Diversity: Michael McCarthy

5 – 30 August 2026 | Redcliffe Art Society, Redcliffe
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Diversity: Michael McCarthy presents an exhibition of works by artist Michael McCarthy at Redcliffe Art Society.

Idée Fixe – Repetition and Refinement

8 August – 14 November 2026 | Redcliffe Art Gallery, Redcliffe
Find out more

Idée Fixe – Repetition and Refinement explores repetition and refinement as creative processes through a selection of contemporary artworks.

Creative Space: Art Collection Up Close

15 August – 7 November 2026 | Redcliffe Art Gallery, Redcliffe
Find out more

Creative Space: Art Collection Up Close offers visitors an opportunity to engage with works from the City of Moreton Bay Art Collection through a dedicated gallery experience.

2026 Bare Feet Drama

28 – 30 August 2026 | Mousetrap Theatre Company, Redcliffe
Get Tickets

2026 Bare Feet Drama presents a live theatrical production at Mousetrap Theatre Company in Redcliffe.

Snap, Crackle & Pops: Moreton Bay Symphony Orchestra

29 August 2026 | Clontarf Beach State High School Hall, Clontarf
Get Tickets

Moreton Bay Symphony Orchestra presents Snap, Crackle & Pops, featuring orchestral music spanning a range of styles and eras. The concert brings the ensemble together for a live performance at Clontarf Beach State High School Hall.

15 Artists 2026 Winner Announcement

29 August 2026 | Redcliffe Art Gallery, Redcliffe
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The 15 Artists 2026 Winner Announcement celebrates the annual acquisitive prize, with 15 Australian artists participating in the exhibition. The winner receives a $20,000 prize, with their work acquired into the City of Moreton Bay Art Collection.

The Ribbon Room

29 August – 22 October 2026 | The Hub Gallery, Caboolture
Find out more

The Ribbon Room is an installation by artist Sunday Jemmott examining competition and awards systems. The exhibition invites visitors to consider ideas around participation, achievement and recognition.

Australian Geographic Nature Photographer of the Year Exhibition

29 August 2026 – 14 February 2027 | Pine Rivers Heritage Museum, Whiteside
Find out more

The Australian Geographic Nature Photographer of the Year exhibition showcases photographs celebrating Australia’s natural environment and wildlife. The exhibition features work from photographers across different levels of experience.

This weekend’s program brings together theatre, orchestral music, visual arts, photography, contemporary exhibitions, creative activities and cultural events, offering a broad selection of experiences for art and culture audiences.

Peninsula Motorfest, Snap, Crackle & Pops and Family Events in Moreton Bay: 28 – 30 August 2026

Families can enjoy science, live music, theatre, markets, cars, dance and community activities this weekend, with events ranging from hands-on museum experiences and family fitness to major local festivals and stage productions. There are also opportunities to explore local markets, enjoy outdoor entertainment and experience live performances for different ages.

Fascinating Science

6 June – 6 September 2026 | Bribie Island Seaside Museum, Bongaree
Find out more

Fascinating Science is an interactive exhibition exploring scientific ideas through hands-on activities and challenges. Visitors can investigate concepts including logic, balance, illusions, mathematics and decoding.

Family Zumba

23 August – 13 September 2026 | Burpengary Community Hall, Burpengary
Book Now

Family Zumba offers a 45-minute dance fitness session designed for children and adults, combining Latin, pop, K-pop, salsa, merengue, rock, cumbia and reggaeton with simple movements and interactive activities.

Hot Mum Walk Club: Deception Bay

28 August 2026 | The Tables – Across from Zesty Lemon, Deception Bay
Book Now

Hot Mum Walk Club brings mums together for a social walking session in Deception Bay, providing an opportunity to get active while meeting other local parents.

Peninsula Motorfest 8.0

28 – 30 August 2026 | Pelican Park, Clontarf
Find out more

Peninsula Motorfest 8.0 is a three-day celebration of car culture featuring hot rods, classic cars, lowriders, muscle cars, modern V8s and bikes. The weekend includes cruising, car displays, live music, food, trade stalls and a free family day with children’s activities and entertainment.

2026 Bare Feet Drama

28 – 30 August 2026 | Mousetrap Theatre Company, Redcliffe
Get Tickets

Bare Feet Drama presents its 2026 production at Mousetrap Theatre Company in Redcliffe, providing a stage performance for local audiences.

SCCC College Musical 2026: Beauty and the Beast Jr

28 – 30 August 2026 | Timothy Peter Centre, Scarborough
Get Tickets

Beauty and the Beast Jr brings the classic fairytale of Belle and the Beast to the stage in a junior musical production, featuring familiar songs and the story of a young woman who discovers that appearances can be deceptive.

Snap, Crackle & Pops: Moreton Bay Symphony Orchestra

29 August 2026 | Clontarf Beach State High School Hall, Clontarf
Get Tickets

The Moreton Bay Symphony Orchestra presents music from musical theatre, Aussie rock, The Beatles and Queen, alongside selections from The Greatest Showman, Wicked, Les Misérables and Fiddler on the Roof. The orchestra is also joined by the Good Shepherd Christian School Honours Choir.

Event 2026 Music Gala Night

29 August 2026 | RSHS Hall – Western Campus – Redcliffe State High School, Redcliffe
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Event 2026 Music Gala Night brings performers together for a live music showcase at Redcliffe State High School.

Redcliffe Markets

30 August 2026 | Redcliffe Parade, Redcliffe
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Redcliffe Markets return to the waterfront with a range of stalls, food and local products along Redcliffe Parade. The Sunday market provides a relaxed setting for browsing and enjoying the seaside precinct.

Caloundra Street Fair

30 August 2026 | Bulcock St, Caloundra
Find out more

Caloundra Street Fair fills Bulcock Street with market stalls, food, entertainment and local products each Sunday, creating a family-friendly outing in the heart of Caloundra.

This weekend offers a broad mix of family activities, live performances, theatre, science, fitness, markets, music and automotive entertainment across Moreton Bay and nearby areas.

Johnny Cash, Damien Leith & Jason Owen and Live Music, Comedy and Tribute Shows in Moreton Bay: 28 – 30 August 2026

Live music, comedy and tribute performances feature this weekend, with Australian performers, touring comedians and tribute acts appearing across Moreton Bay and nearby venues. The program includes country music, pop and rock tributes, comedy and live local performances.

Damien Leith & Jason Owen

28 August 2026 | Bribie Island Hotel, Bellara
Get Tickets

Damien Leith and Jason Owen join forces for a live performance featuring songs from their individual careers and shared musical repertoire.

Disco with Party Pete

28 August 2026 | Scarborough Harbour Brewing Co., Scarborough
Get Tickets

Disco With Party Pete brings a dance-focused live entertainment session to Scarborough Harbour Brewing Co., featuring a selection of disco and party favourites.

Dillion James

28 August 2026 | Slow Smoke Bistro, Redcliffe
Find out more

Dillion James performs live at Slow Smoke Bistro in Redcliffe, bringing an evening of live music to the venue.

Johnny Cash: The Man in Black Returns

29 August 2026 | Redcliffe Entertainment Centre, Redcliffe
Get Tickets

The Man in Black Returns recreates the sound and atmosphere of Johnny Cash’s famous 1960s performances, with JJ Geary and The Tennessee Three performing songs including Folsom Prison Blues, Ring of Fire, Walk the Line and Cocaine Blues.

Don’t Stop ‘Til You Get Enough: Michael Jackson Club Night

29 August 2026 | Kings Beach Tavern, Kings Beach
Get Tickets

Don’t Stop ‘Til You Get Enough celebrates Michael Jackson with a club night dedicated to his music, featuring his best-known songs and dance-floor favourites.

Every Breath You Take: A Tribute to The Police & Sting

29 August 2026 | Norton Music Factory, Caloundra West
Get Tickets

Every Breath You Take pays tribute to the music of The Police and Sting, performing songs from the band’s catalogue alongside material from Sting’s solo career.

CLIFFHANGERS

29 August 2026 | Tribe Clubhouse, Redcliffe
Get Tickets

CLIFFHANGERS brings a live entertainment event to Tribe Clubhouse in Redcliffe.

Lloyd Langford: Okay, I Believe You

29 August 2026 | The Events Centre, Caloundra
Get Tickets

Lloyd Langford presents his brand-new stand-up show Okay, I Believe You, drawing on his 20 years as a professional comedian and his observations about the people and situations around him. He has appeared on Have You Been Paying Attention?, Thank God You’re Here and Guy Montgomery’s Guy Mont Spelling Bee.

Blake Pavey: A Bit Scared

30 August 2026 | Kings Beach Tavern, Kings Beach
Get Tickets

Blake Pavey brings A Bit Scared to Kings Beach for a stand-up comedy performance exploring his experiences and observations through his distinctive comedic style.

Josh Crawford

30 August 2026 | North Lakes Sports Club, North Lakes
Find out more

Josh Crawford performs live at North Lakes Sports Club, bringing a selection of contemporary songs and crowd favourites to the venue.

This weekend offers a mix of live music, comedy, country, pop and rock tributes, and local entertainment, with performances taking place across Moreton Bay and surrounding venues.

Outer Banks: Season 5 Leads This Week’s Biggest Streaming Arrivals in Moreton Bay: 20 – 26 August 2026

The final season of Outer Banks headlines a busy week of streaming, alongside a revealing Novak Djokovic documentary, a new wildlife series from the team behind The Lion King, returning comedy and family favourites, and fresh crime, science fiction and romantic drama across Netflix, Prime Video, Disney+, Apple TV+ and Binge.

Novak Djokovic: The Wolf in Winter

20 August 2026 | Prime Video

Directed by Jason Hehir, this feature-length documentary goes behind the scenes of Novak Djokovic’s life and career, combining access to the tennis champion with interviews from family members and fellow tennis greats.

LION: Miniseries

20 August 2026 | Disney+

This four-part natural history series follows Kio, a lion cub growing up in Kenya’s Maasai Mara, documenting his journey from vulnerable youngster to adult leader over four years of filming.

Blood Sacrifice: Season 1

20 August 2026 | Netflix

This Swedish crime series brings a new mystery to Netflix, adding a darker crime drama to the week’s streaming lineup.

Outer Banks: Season 5

20 August 2026 | Netflix

The Pogues return for their fifth and final season, with John B, Sarah, Kiara, Pope and Cleo facing new threats as they attempt to reclaim their future. The concluding season consists of 10 episodes.

Hans Zimmer & Friends: Diamond in the Desert

20 August 2026 | Apple TV+

Hans Zimmer brings together musicians and collaborators for a concert experience celebrating his film music, combining live performance with a closer look at the composer and his creative world.

Conan O’Brien Must Go: Season 3

21 August 2026 | Binge

Conan O’Brien returns for another season of his unconventional travel series, meeting people around the world and turning spontaneous encounters into comic adventures. The new season includes trips to Morocco, India, the Netherlands and the Philippines.

Stillwater: Season 5

21 August 2026 | Apple TV+

The award-winning animated family series returns with new stories centred on the wise panda Stillwater and siblings Karl, Addy and Michael. Five new episodes premiere with the fifth season.

Facing El Chapo

21 August 2026 | Netflix

This Mexican crime thriller follows two police officers who must survive the final hours of their shift after crossing paths with a ruthless cartel boss.

The Ark: Season 3

25 August 2026 | Binge

The science fiction drama returns with the crew of Ark One continuing their struggle for survival as humanity’s efforts to establish a new home on another planet face further challenges.

The Last Sunrise

26 August 2026 | Prime Video

Maia Reficco and Eva Longoria star in this romantic drama about a college student with a chronic illness who escapes to Mallorca with her mother and unexpectedly falls in love.

This week’s streaming selection spans high-profile returning series, sports documentary, natural history, comedy, family animation, crime and science fiction. With major arrivals spread across Netflix, Prime Video, Disney+, Apple TV+ and Binge, the week offers a broad mix for different viewing tastes.

Insidious: Out of the Further and Mutiny Lead Moreton Bay’s New Cinema Releases: 20 – 26 August 2026

Moreton Bay cinemas welcome three new releases this week, led by horror sequel Insidious: Out of the Further, alongside thriller Mutiny and drama Tony. Recent releases continue across the region, with a mix of family films, comedy, superhero action and large-scale adventure screening from North Lakes and Strathpine to Redcliffe, Morayfield and Bongaree.

NEW RELEASES

Insidious: Out of the Further

20 August 2026 | HOYTS (Redcliffe), Limelight Cinemas (Morayfield)

The horror franchise returns with another chapter set within its supernatural world, bringing a new story of terror to Moreton Bay screens.

Mutiny

20 August 2026 | Bribie Cinema (Bongaree), HOYTS (Redcliffe), Limelight Cinemas (Morayfield)

This thriller joins the week’s cinema line-up with a tense story centred on conflict, shifting loyalties and dangerous consequences.

Tony

20 August 2026 | HOYTS (Redcliffe)

This drama arrives on Moreton Bay screens, adding a character-driven story to the week’s new-release selection.

STILL SHOWING

Holy Days

Bribie Cinema (Bongaree), HOYTS (Redcliffe), BCC Cinemas (Strathpine)

A reflective story centred on faith, community and personal journeys continues its regional cinema run.

Moana

BCC Cinemas (Strathpine)

The ocean adventure remains available for family audiences, bringing its familiar characters and island journey back to the big screen.

One Night Only

Event Cinemas (North Lakes), HOYTS (Redcliffe), Limelight Cinemas (Morayfield), BCC Cinemas (Strathpine)

The romantic comedy continues across Moreton Bay cinemas, adding a lighter option to the week’s program.

Spa Weekend

Bribie Cinema (Bongaree), HOYTS (Redcliffe), Limelight Cinemas (Morayfield)

This ensemble comedy follows a group of longtime friends as they escape everyday pressures during a getaway designed for relaxation.

Spider-Man: Brand New Day

Bribie Cinema (Bongaree), Event Cinemas (North Lakes), HOYTS (Redcliffe), Limelight Cinemas (Morayfield), BCC Cinemas (Strathpine)

The superhero blockbuster remains widely available across the region, continuing its action-driven adventure on local screens.

Super Troopers 3

BCC Cinemas (Strathpine)

The comedy sequel continues with another round of misadventures from the unconventional Vermont state troopers.

The End of Oak Street

Bribie Cinema (Bongaree), Event Cinemas (North Lakes), HOYTS (Redcliffe), Limelight Cinemas (Morayfield), BCC Cinemas (Strathpine)

The science-fiction story continues as a family faces an unfamiliar and unsettling reality after a mysterious event transforms their world.

The Odyssey

Bribie Cinema (Bongaree), Event Cinemas (North Lakes), HOYTS (Redcliffe), Limelight Cinemas (Morayfield), BCC Cinemas (Strathpine)

The epic adaptation remains a major part of the region’s cinema program, continuing its large-scale interpretation of a legendary journey.

Tom and Jerry: Forbidden Compass

Event Cinemas (North Lakes), BCC Cinemas (Strathpine)

The animated rivals continue their fantastical adventure after a magical compass sends them into an unfamiliar world.

Toy Story 5

Event Cinemas (North Lakes), Limelight Cinemas (Morayfield), BCC Cinemas (Strathpine)

The latest instalment in the long-running animated series continues to bring familiar characters and a new adventure to Moreton Bay audiences.

Moreton Bay’s cinema selection for 20 – 26 August brings together new horror, thriller and drama releases with a broad range of continuing films across family, action and comedy genres. With screenings across North Lakes, Strathpine, Redcliffe, Morayfield and Bongaree, audiences have plenty of options to enjoy on the big screen this week.

A Taste of Ireland, Bohemian Dreams and Art, Music and Cultural Events in Moreton Bay: 21 – 23 August 2026

Art lovers can explore exhibitions, live music, dance, choral performance, cultural events and creative workshops this weekend. The program includes historical and contemporary art, photography, Irish performance, classical music and opportunities to experience and create.

Harvest

30 May – 23 August 2026 | Pine Rivers Heritage Museum, Whiteside
Find out more

Harvest explores the agricultural heritage of the region through historical objects, photographs and personal stories, examining how farming has influenced the land, economy and ways of life.

The Comedy Wildlife Photography Awards

30 May – 18 October 2026 | Redcliffe Museum, Redcliffe
Find out more

The Comedy Wildlife Photography Awards presents a collection of humorous wildlife photographs selected from the international competition, combining striking animal images with a focus on wildlife conservation.

Creative Space by Yin Lu

27 June – 12 September 2026 | Caboolture Regional Art Gallery, Caboolture
Find out more

Creative Space by Yin Lu invites visitors to explore personal stories, cultural connections and identity through participatory art-making activities, including Golden Wishes and My Story Card.

House of Gold

27 June – 12 September 2026 | Caboolture Regional Art Gallery, Caboolture
Find out more

House of Gold is an exhibition by Dr Christian Thompson AO exploring shared language, food and history. The work draws on the stories and cultural exchanges surrounding the Australian gold rush.

Singing for Wellbeing Project

12 July – 26 September 2026 | Morayfield Community Hall, Morayfield
Find out more

The Singing for Wellbeing Project brings people together through group singing in a community setting, encouraging connection and participation through music.

Blak Creatives Exchange

18 July – 14 November 2026 | Redcliffe Art Gallery, Redcliffe
Find out more

Blak Creatives Exchange supports emerging First Nations creatives as they develop an exhibition from concept to completion. The resulting works offer fresh interpretations of the City of Moreton Bay Art Collection.

Kau-in Kau-in Blood Blood

1 August – 24 October 2026 | Pine Rivers Art Gallery, Strathpine
Find out more

Kau-in Kau-in Blood Blood presents works by Judy Watson across textile, video and printmaking. The exhibition draws attention to underrepresented histories and the enduring presence of First Nations people and culture.

Diversity: Michael McCarthy

5 – 30 August 2026 | Redcliffe Art Society, Redcliffe
Find out more

Diversity: Michael McCarthy presents a selection of works by artist Michael McCarthy at Redcliffe Art Society.

Idée Fixe – Repetition and Refinement

8 August – 14 November 2026 | Redcliffe Art Gallery, Redcliffe
Find out more

Idée Fixe – Repetition and Refinement explores creative processes shaped by repetition, iteration and refinement through works presented at Redcliffe Art Gallery.

A Taste of Ireland

21 August 2026 | The Kings Theatre, The Events Centre, Caloundra
Get Tickets

A Taste of Ireland combines Irish music, dance and storytelling in a theatrical production featuring performers with backgrounds in major Irish dance productions. The show brings together traditional and contemporary dance, live music and Irish culture.

Art on the Dancefloor

21 August 2026 | The Sanctuary by LoveLight, Clontarf
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Art on the Dancefloor brings together music, movement and creative expression in an event designed around dancing and shared artistic experiences.

(Be)longing Opening

22 August 2026 | Redcliffe Art Gallery, Redcliffe
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The opening of (Be)longing celebrates an exhibition developed through the Blak Creatives Exchange. The selected works explore interruption and displacement alongside celebration, resurgence, continuity and the ongoing renewal of cultural knowledge.

Loom Weaving With Norton Fredericks

22 August 2026 | Redcliffe Art Gallery, Redcliffe
Book Now

This hands-on workshop with artist Norton Fredericks introduces participants to loom weaving and provides an opportunity to explore textile-making techniques through a guided creative session.

Bohemian Dreams | Australian Romantic & Classical Orchestra

23 August 2026 | Playhouse Theatre, The Events Centre, Caloundra
Get Tickets

The Australian Romantic & Classical Orchestra presents Bohemian Dreams, a program inspired by the music and traditions of the Bohemian region. The concert features period instruments and a repertoire of Romantic and Classical works.

Reminiscence

23 August 2026 | Redcliffe Treehouse, Redcliffe
Get Tickets

The Bel Canto Singers present an evening combining live jazz and modern choral music. Joined by a guest trio from the Jazz Music Institute, the choir performs works by Bob Chilcott, Ēriks Ešenvalds, Ola Gjeilo and Eric Whitacre.

This weekend’s program brings together exhibitions, visual art, First Nations creative perspectives, weaving, dance, Irish performance, orchestral music and choral works across Moreton Bay.